2020 weeknote 12 – the week that everything changed

Well this was the week that things really changed, for me and those around me. It’s been interesting keeping abreast of how the spread of the virus and the reactions by different countries has rolled onward, in waves. Interesting and kind of horrifying, when you spend more than half a minute considering what it all means.

It has, in many ways, been good that the upheaval has kept us all so busy. Heaven forbid what will happen when we are all set up with our new routines and we stop for a second to get bogged down in the sheer existential woe of it all – and that’s before even considering the actual health crisis worsening any further, which each day it threatens to on a hitherto-unseen scale.

We have found ourselves unexpectedly buoyed by taping occasional news updates from Chinese state broadcasters in which they describe the recovery process. Life, while not returning to normal, per se, is returning to something approaching it. Or at least a healthy, post-virus world.

At work I have been extremely busy helping as far as I can to get the office set up for home working. A few months ago, working from home on the scale that we soon will be would have been completely unthinkable. But, as with so much of this escalating crisis, unthinkable things are now having to be thunk, and it’s funny what you can achieve when you have to.

In fact, the extent to which we’ve established a working-from-home policy means that it’s only really a few little issues and niggles we’ve found, rather than any flat-out business critical failure points.

We’re lucky in that a lot of what we do isn’t business critical. And where it is, the timelines and deadlines are those we set for ourselves and we are fortunate enough not to be beholden to many authorities or external/market forces. We have a job to do, and we do it however we can. This will not change, but the methods and timescales may.

Meanwhile, anything that isn’t related to work, or keeping ourselves constantly updated on news has, by necessity, been for the purposes of distraction, amusement or entertainment. The rest of this week’s note is simply some of that stuff that has kept me from losing my mind the past few days.


We had the first day of spring, and the weather this week has been cool but increasingly wonderful and bright. There is blossom everywhere, and the spring weather looks set to continue. This does mean that people who ought to be self-isolating are popping out more than they might if it had been tipping down all week, and I am concerned about that. But at the same time, the sight of spring springing is a huge boost.

As well as a brief trip to a nearby park (where I saw the woodpecker above), I also popped to Hampstead Heath on Saturday to get some fresh air. Unfortunately, so did a lot of other people, and I really should have known better. I was able to keep my distance from most people, and I found myself a secluded perch where I spent a happy hour or so playing with radios, and eating cold pizza.

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On FM, my elevated position near one of London’s highest points meant stations came booming in loud and clear, and I found a good number of pirate stations giving shout-outs to the shut-ins.

I found that the signal on my little POP Nano radio was decent, but both my Tecsun PL-380 and my Motorola G7 Power logged 58 stations each on the FM band, with the Moto serving doubly useful as not only does it have an RDS decoder built-in, but it also neatly displays all logged stations in one big list, acting as a very useful results page for active stations complete with station IDs, where available.

I’ve written before about the pretty excellent FM radio software on an older Moto G device, and it’s just as good on my current G7 Power. It serves as an effective stopgap between idly tuning around with a normal radio and setting up some sort of portable SDR that will automatically log station IDs in a neat spreadsheet for me.

(A rainy day project I daydream of is a Raspberry Pi Zero-powered unit that I can just switch on, run an autoscan, and log all active stations in a spreadsheet. Might have a little screen and possibly audio out.)

The subsequent list generated by the Moto is displayed as you can see to the right: it’s a neat list of station IDs and frequencies and I only wish I could quickly and easily export this data into a spreadsheet. I suspect there’s an OCR capture that could do a half decent job. But even in its present form, the FM radio software gives me a decent overview of what’s around in a given session.

One surprise, beyond the ever-present London pirates, was decent reception of a station apparently broadcasting to Greenwich on 96.5fm. A later dig around uncovered this as Maritime Radio, with the always-helpful mb21 giving more information about where this station broadcasts from. Not a bad catch at a distance of approximately 20km.

It’s hard to tell where the pirate stations themselves broadcast from – obviously – so it’s never easy to known whether you’re getting fabulous reception across a vast distance, or merely being blasted from the nearest rooftop. I suspect it’s usually the latter, though there is usually a good range of signals when tuning in from a high point in north west London, with some sounding stronger and others weaker.

The variability in the tech used by each pirate could give rise to this, of course, but it all makes it feel as though you’re picking up signals from all over London.

On DAB, my position near London’s highest point meant great reception of a huge range of stations. The POP Nano picked up 148 stations without issue, and I noted down that I was getting reception of the following multiplexes on top of those I’d expect to get in London: Kent, Herts Beds Bucks, Surrey NSussex, and Essex. On the one hand, these extra muxes simply bring in local stations or local variants of commercial stations. But it’s still pretty cool to pick these all up along with the ones which are meant to cover my area.

Of note, the Kent multiplex coverage map [PDF] does show parts of Hampstead as able to pick up occasional offshoots of the signal over high ground:

So it’s perhaps not that unexpected, but still vaguely interesting to me.

I also had a scan around on shortwave and aside from the usual national broadcasters who have mastered dominating the waves, I was pleased to pick up two pirate(?) stations on 5780kHz and 6205kHz – possibly Laser Hot Hits and Euro Radio. (This was at approximately 1445 UTC on Saturday 21 March.)

Nothing else really of any note on the radio, although I did spot this new addition to the London Trial multiplex – Health Info Radio, which launched a week ago on various other local muxes, and whose sole purpose is to play a looped recording of coronavirus-related public information.

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On the YouTube front, beyond the usual tech videos I tend to gorge myself on, the algorithms threw me a wonderful bone in a series of aviation videos by a chap named Matt Guthmiller. I’m not sure what YouTube thought it was doing, but I was absolutely enthralled by this four-part series on flying a 1930s DC-3 from the US to Duxford.

Spoiler alert: it’s not quite as simple as hopping across the Atlantic. In fact, it involves hopping to Canada, Greenland, Iceland, and Scotland, before hopping down to Duxford.

At times, the serenity and majesty of early to mid 20th century flight is intoxicating, and at others you are hit with the nauseating concept of hurtling through the air in nothing much more than a 1930s bus with temperamental moving parts and a hell of a lot to understand about how to get it airborne and keep it there.

The four parts are available in this playlist, or just watch the first one below:

Pro-tip: use the ‘Watch later’ button to save these kinds of YouTube clips to a… Watch later playlist.


And finally, I’ve recently seen a few good links to online collections of stuff and wanted to share some and add one of my own.

The first, shared by Robin Sloan recently, was a directory of images by Eugene Delacroix. Delacroix is an artist I don’t know a huge amount about, but I stumbled across him years ago doing my degree as it turned out he kept diaries, and really enjoyable ones too. Sloan peppered a recent newsletter with images by Delacroix, all pilfered from this great online collection of his work from the Metropolitan Museum of Art.DP816310

The second collection was posted by the excellent SWLing Post, a great resource for all things radio – with a focus on shortwave and ham radio. They recently pointed to a subset of the Smithsonian’s open access collection of objects which is, quite simply, a bunch of radios you can look at. Wonderful.

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And finally, the National Trust’s ‘Collections’ image database is staggering in its scale – they have photographed countless objects held within their collections at the various properties they look after. You could find yourself lost for weeks on this website, whether searching across the entire collection by keyword, exploring the contents of one particular property, or paging through the works of one artist.

For the purposes of this post, I will simply point you to a collection illustrations and artworks by my man Charles Paget Wade. I have searched and filtered and refined this set so it may be a bit rough around the edges and not sorted in any particular way, but you get the gist.

By the collection’s very nature, this is not a greatest hits, but a snapshot of all that is contained within it: from sketches on the backs of letters, to glorious watercoloured ink sketches like that shown below, of the Great Wall at Hampstead Garden Suburb.

by Charles Paget Wade (Shortlands, Bromley, Kent 1883 - Evesham, Worcestershire 1956)

2018 Weeknote 19

Time to restart weeknotes, I think. Sorry about the hiatus.

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This week I had a film developed and printed for the first time in a few years. I posted some of the pictures here. It was a very pleasant experience, not least because I have a handy branch of Snappy Snaps nearby, and I found an unused scanner at work that has done nothing for three years, but that scans film negatives in at remarkably good quality. It was of such great quality that it’s now got me thinking about films from my past that I only ever digitised from the prints, or where I feel I could make better negative scans.

The quality of the scans is one thing, but what I loved was convenience of scanning two strips of negatives in one go (so, eight shots), and having the built in software not just crop them, but also colour-correct them automatically. I frankly can’t believe that before now I made do with a) scanning prints, b) getting crap neg scans from the photo shop, or c) trying to do my own scans on a too-cheap neg scanner myself.

Finding a good way to digitise physical ephemera is so far in my wheelhouse it’s not even funny.


Elsewhere this week I watched Jurassic Park for the first time in a wee while. By God, does it stand up. It’s so hard, of course, to separate it from the version etched in your brain – the lines, the scenery, the concepts, the score – but it still feels rollicking and vital. Of course it’s dated in place – it’s 25 years old this year, which is insane. But it holds up magnificently.

I also played the start of L.A. Noire again. Years ago when  I lived with him I watched John play through most of it and I think we both concluded that it’s gorgeous and nuanced, but ultimately quite boring. With the recent chat surrounding the remaster for Switch et al, it seemed like a good time to pick it up – especially as it was only £1.50 at CEX. Anyway the first few missions went by smoothly – the formulaic searching-the-scene-for-clues only feeling slightly clunky. But I forgot the ratio of mission to open-world, and I feel like that’s where I’ll lose interest in the end. But for now, as a primarily narrative-driven piece of entertainment, I’ll carry on until I don’t want to any more.

I also watched this interesting video about the current world record Super Mario Bros. speedrun. It was pitched to me, variously, as “like watching a Swiss clock maker explain his machine,” and, ” even if you aren’t into video games it’s pretty interesting.” I’d say it was somewhere in-between. At least, between M and I watching it, that’s the impression I got. It definitely had a handful of really interesting bugs and…. not hacks, but exploits, that are vital to shaving off the seconds – and sub-seconds.


20180515_075755.jpgFor many months now, I’ve been in the habit of reading from a couple of diary compilations – one of London diarists, the other with a rural angle – and around the turn of the month, a few pages from an almanac which talks about natural occurrences.

On top of of that, I always have my Kindle handy, and recently I’ve gotten into the habit of sending a so-called long read or an edition of an email newsletter to it.

The latter works only some of the time – some newsletters are more text-based than others, with some being mostly links (to be ctrl-clicked while browsing) or containing too many images to play nicely with an e-ink device.

But now and then, a well-formatted, single-column newsletter consisting of mostly text works a charm.  Two recent examples:

  • Craig Mod‘s Roden Explorers – the latest issue is here – usually contains tales of walking, meditation, photography, some tech insight, and whatever is bubbling around in Mod’s always-fascinating mind.
  • close, a monthly newsletter only onto its second issue – here – but this entry made for very interesting/familiar reading as a 30-something member of an extended collective community of folks who found kinship online in the early 2000s.

There are others, but I felt the need to jot down two solid examples while they were fresh in my mind. I tend to use one of two Chrome extensions for sending a newsletter (or any web article) to my Kindle – Send To Kindle by Amazon and Push to Kindle by fivefilters.org. They take a couple of minutes to set up, and your mileage will inevitably vary depending on what you send. But both can provide a preview of the content as it will be sent, so you can quickly see if it’s going to work or not.


Very pleasant, several months after starting things, to announce the launch of the new website for the Virginia Woolf Society of Great Britain which I’ve helped create.

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It’s mostly been a ‘simple’ WordPress.org installation, but there was quite a lot of content to convert, a fair few design principles to incorporate, and – as always – more technical issues than I had expected, mostly around the hosting.

The client was fantastic throughout, and it was a largely enjoyable experience for me, with experience being the operative word as I was able to learn quite a bit even doing something I felt was very much in my comfort zone.


In weekend-related activities, last Monday was a Bank Holiday, so M and I popped up to St Albans to visit friends and have a little wander. It was the third of three ridiculously pleasant Spring days so much ice cream and iced coffee was consumed, and the cool interior of the cathedral was most welcome.

The previous night we’d spent camping in West Sussex – a glorious little site on the wilder side of things. No showers or buildings, and just a few portaloos or compost loos dotted around with the occasional cold water tap dotted around. And, most importantly, they allow fires, so I was in heaven.

It was a great opportunity to test out some new camping gear ahead of a longer trip in Summer. But mostly it felt remarkable in feeling like a 2-3 night trip away, all completed within 36 hours or so. The nearby village of West Hoathly also has a lovely pub or two. And one nice surprise were views across to the ridgeway of the South Downs. We were able to pick out Chanctonbury hill fort and various other landmarks from our recent walk.

And then this weekend just gone, the good weather continued, so we were able to have a little barbecue on the patio – partly in celebration at having decided to scrub the slabs, tidy up the plants, and to buy some new ones to replace the feeble amongst them that didn’t survive the winter.

Onwards, into summer.