A few years ago, when hunting high and low for a specific camera, I picked up a Minolta Hi-Matic 7s.
Here it is:
It wasn’t the Ansco Autoset I was looking for – that’s a long story for another day, but this is in fact a slightly later evolution of that camera, and much more user friendly.
It’s a lovely 35mm film camera produced in Japan in 1966, with a few really nice features. It’s not the most attractive camera, though it isn’t unattractive, and it’s a touch on the heavy/boxy side. But as someone who has shot several films with a Zenit E, this is a wee bit lighter.
While clearing out my storage locker recently I came across the little Minolta, all tucked away in its hard-wearing leather case. Strange, I thought, as I got rid of most of my film cameras a few years ago. But I couldn’t resist taking it out for a spin last weekend. It already had film in, with 3-4 shots taken, so I took it along for a day-trip to St Albans.
One thing that’s great on this camera is the battery-powered light metering which actually enables it to be run fully automatic – save for focusing. I ran fully automatic for all these shots. Luckily, the focus system is quite nice, too. Rather than the split-circle style found in some cameras, this one uses a small smudgy area in the middle of the viewfinder, through which one sees two images. Align the two overlaid bits of the image (ideally on an edge, or some other contrasting feature), and that is what will be in focus.
It turned out really well – a mixture of shots indoors and out, from the glaring sunshine of that sunny bank holiday we had, to the dark crevices of a thousand-year-old cathedral. Another neat feature is how quiet the shutter is. I’m more used to the hefty CLUNK of an SLR, and this is more of a quick click.
The below were taken on bog-standard Pound shop Kodak 200 film (most likely approximately six years old, too). I’ll be picking up some new film for the Minolta, as I really enjoyed using it.