The second edition of my book ‘Charles Paget Wade Before Snowshill’ is now available

The short version is: my book Charles Paget Wade Before Snowshill is now available on Kindle and paperback as an expanded second edition.

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The slightly longer version is as follows.

Three years ago I wrote and published a small book about Charles Paget Wade, a man I came across in my studies of the history of Hampstead Garden Suburb.

Wade worked with Raymond Unwin and Barry Parker to design some of the Suburb’s most significant buildings, including the Great Wall which seperates ‘town’ and ‘country’ where the Suburb meets Hampstead Heath, and the Club House with its great tower, sadly lost to bombing in the Second World War.

Charles Wade’s career as an architect was, however, short lived.

He is now best known for his collection of interesting objects that fill Snowshill Manor, a National Trust property. But as well as collecting items of beauty and great craftsmanship, Wade was himself a highly skilled craftsfman, artist, illustrator and draughtsman.

I was captivated by Wade, and wanted to know more about him. I wrote about him in this blog, and I visited Snowshill Manor, (it’s been far too long since my last visit!), and more recently I wrote about some of Wade’s paintings of my home town of Amersham.

Three years ago, along with the publication of my book, I led a walking tour around Hampstead Garden Suburb in an attempt to cover Charles Paget Wade’s early life as an architect and his work on Hampstead Garden Suburb.

Fast forward to this summer and I was bitten by the bug to refresh my book with a new, expanded edition containing some more details I had come across in the meantime. I was also invited by the Proms at St Jude’s team to do another walk on Wade, and this inevitably led to me finding myself immersed in his life work once more.

There are a few other books about Charles Wade which cover the subject of his restoration of, and the collection held at, Snowshill Manor, but my intention has always been to shed a little bit more light on Wade’s life before Snowshill: touching on his childhood, his education and qualification as an architect, and his life in Hampstead Garden Suburb both professional and social.

In particular, I have always found it so interesting that despite only working on Suburb architecture for four years, he actually lived on the Suburb for more than ten years. And a number of the hobbies he picked up and nurtured while living on the Suburb would serve as an introduction to the magical world he would go on to create at Snowshill.

I had always wanted to expand on the text of my book on Wade, and to slightly alter the format of the paperback, and I am thrilled to have the use of a photograph from the collection of the Hampstead Garden Suburb Archives Trust which I think makes for a great cover image for this new, expanded edition.

In the process of researching this second edition, I visited Gloucestershire Archives again, as well as paying a couple more visits to the London Metropolitan Archives, which meant I was able to breathe some more life into the descriptions of the documents held there and to better decipher the clues they gave me about the man himself.

The staff at both these institutions were very obliging, and I must thank those at Gloucestershire Archives particularly for their assistance in identifying which packs and bundles of documents contained what items. It can be quite nerve-wracking only giving yourself a few hours at an archive to pore over hundreds of documents, but their help and assistance meant I got through everything I hoped to see with no added time pressures.

I’m also grateful to the curators of the RIBA’s Drawing and Archives Collection, and in particular to Lauren Alderton who kindly helped me get access to Wade’s RIBA nomination papers, as well as those of his mentors, which filled in some interesting and crucial biographical gaps about his transition from student to qualified architect.

I should also thank my partner Megan for putting up with me, particularly over the last few months, wittering on about Wade, my walking tour, and this book. It’s nice to have finally finished it.

It was always going to be tricky going in and expanding a ‘finished’ text, in much the same way as a first draft being much easier to bash out than to go back and edit. I had to pick apart my original text and insert new sections and details in a way which, I hope, is seemless to the reader. But I had been itching to add new details which had come to light in my studies of Wade and his career and life, so I knew I would have to scratch that itch and finally produce a new second edition. So that’s what I have done.

Charles Paget Wade Before Snowshill, the expanded second edition, is available now through Amazon in various territories as a Kindle book or in a neat A5 paperback format.

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2018 Weeknote 19

Time to restart weeknotes, I think. Sorry about the hiatus.

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This week I had a film developed and printed for the first time in a few years. I posted some of the pictures here. It was a very pleasant experience, not least because I have a handy branch of Snappy Snaps nearby, and I found an unused scanner at work that has done nothing for three years, but that scans film negatives in at remarkably good quality. It was of such great quality that it’s now got me thinking about films from my past that I only ever digitised from the prints, or where I feel I could make better negative scans.

The quality of the scans is one thing, but what I loved was convenience of scanning two strips of negatives in one go (so, eight shots), and having the built in software not just crop them, but also colour-correct them automatically. I frankly can’t believe that before now I made do with a) scanning prints, b) getting crap neg scans from the photo shop, or c) trying to do my own scans on a too-cheap neg scanner myself.

Finding a good way to digitise physical ephemera is so far in my wheelhouse it’s not even funny.


Elsewhere this week I watched Jurassic Park for the first time in a wee while. By God, does it stand up. It’s so hard, of course, to separate it from the version etched in your brain – the lines, the scenery, the concepts, the score – but it still feels rollicking and vital. Of course it’s dated in place – it’s 25 years old this year, which is insane. But it holds up magnificently.

I also played the start of L.A. Noire again. Years ago when  I lived with him I watched John play through most of it and I think we both concluded that it’s gorgeous and nuanced, but ultimately quite boring. With the recent chat surrounding the remaster for Switch et al, it seemed like a good time to pick it up – especially as it was only £1.50 at CEX. Anyway the first few missions went by smoothly – the formulaic searching-the-scene-for-clues only feeling slightly clunky. But I forgot the ratio of mission to open-world, and I feel like that’s where I’ll lose interest in the end. But for now, as a primarily narrative-driven piece of entertainment, I’ll carry on until I don’t want to any more.

I also watched this interesting video about the current world record Super Mario Bros. speedrun. It was pitched to me, variously, as “like watching a Swiss clock maker explain his machine,” and, ” even if you aren’t into video games it’s pretty interesting.” I’d say it was somewhere in-between. At least, between M and I watching it, that’s the impression I got. It definitely had a handful of really interesting bugs and…. not hacks, but exploits, that are vital to shaving off the seconds – and sub-seconds.


20180515_075755.jpgFor many months now, I’ve been in the habit of reading from a couple of diary compilations – one of London diarists, the other with a rural angle – and around the turn of the month, a few pages from an almanac which talks about natural occurrences.

On top of of that, I always have my Kindle handy, and recently I’ve gotten into the habit of sending a so-called long read or an edition of an email newsletter to it.

The latter works only some of the time – some newsletters are more text-based than others, with some being mostly links (to be ctrl-clicked while browsing) or containing too many images to play nicely with an e-ink device.

But now and then, a well-formatted, single-column newsletter consisting of mostly text works a charm.  Two recent examples:

  • Craig Mod‘s Roden Explorers – the latest issue is here – usually contains tales of walking, meditation, photography, some tech insight, and whatever is bubbling around in Mod’s always-fascinating mind.
  • close, a monthly newsletter only onto its second issue – here – but this entry made for very interesting/familiar reading as a 30-something member of an extended collective community of folks who found kinship online in the early 2000s.

There are others, but I felt the need to jot down two solid examples while they were fresh in my mind. I tend to use one of two Chrome extensions for sending a newsletter (or any web article) to my Kindle – Send To Kindle by Amazon and Push to Kindle by fivefilters.org. They take a couple of minutes to set up, and your mileage will inevitably vary depending on what you send. But both can provide a preview of the content as it will be sent, so you can quickly see if it’s going to work or not.


Very pleasant, several months after starting things, to announce the launch of the new website for the Virginia Woolf Society of Great Britain which I’ve helped create.

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It’s mostly been a ‘simple’ WordPress.org installation, but there was quite a lot of content to convert, a fair few design principles to incorporate, and – as always – more technical issues than I had expected, mostly around the hosting.

The client was fantastic throughout, and it was a largely enjoyable experience for me, with experience being the operative word as I was able to learn quite a bit even doing something I felt was very much in my comfort zone.


In weekend-related activities, last Monday was a Bank Holiday, so M and I popped up to St Albans to visit friends and have a little wander. It was the third of three ridiculously pleasant Spring days so much ice cream and iced coffee was consumed, and the cool interior of the cathedral was most welcome.

The previous night we’d spent camping in West Sussex – a glorious little site on the wilder side of things. No showers or buildings, and just a few portaloos or compost loos dotted around with the occasional cold water tap dotted around. And, most importantly, they allow fires, so I was in heaven.

It was a great opportunity to test out some new camping gear ahead of a longer trip in Summer. But mostly it felt remarkable in feeling like a 2-3 night trip away, all completed within 36 hours or so. The nearby village of West Hoathly also has a lovely pub or two. And one nice surprise were views across to the ridgeway of the South Downs. We were able to pick out Chanctonbury hill fort and various other landmarks from our recent walk.

And then this weekend just gone, the good weather continued, so we were able to have a little barbecue on the patio – partly in celebration at having decided to scrub the slabs, tidy up the plants, and to buy some new ones to replace the feeble amongst them that didn’t survive the winter.

Onwards, into summer.