On the importance of overhead cables in a photograph

From the National Library of New Zealand‘s Flickr account, a rather striking shot of a building in Wellington, taken in 1940:

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Photographer: Gordon Burt, Alexander Turnbull Library, Reference: 1/2-036769-G

Here is the brand new MLC building at the corner of Lambton Quay and Hunter Street, photographed in 1940. It is from the negatives and prints of Gordon Burt, one of Wellington’s best-known commercial photographers. He was determined to show the building in all its art deco glory. In the real world overhead wires and cables criss-crossed in front of the camera, but on this print Burt has painstakingly retouched them out of existence.

I was interested to read that the ubiquitous overhead tram cables that run throughout downtown Wellington had been edited out of this image – if you click through to the Flickr page and view it larger, you can easily see where this has been done. And while I agree that it does make it easier to focus on the building’s proud frontage, I can’t help but feel slightly queasy about the removal of something so obvious.

But that’s just me; I love lines and silhouettes in photographs – and overhead cables bring a lot of that to an image. Often when I’m out and about, an image can be framed, or divided up, by some previously unnoticed cables. Other times, the unique arrangement of cables against a solid coloured sky can make the image itself. Even the latticed windows of my bedroom make for a beautiful composition against the right cloudscape.

I remember at least one example where I’d taken a photograph of a particularly nice sunset out of the back of my home in Manchester. Criss-crossing the image are the collection of telegraph cables that proliferate in such a densely populated residential area as this. For me, it made an image where the primary feature was swathes of colour a little more dynamic and interesting – the thick black lines against the bright colours of a fiery sunset made for a wonderful contrast.

Or so I thought.

The image ended up on my Manchester Daily Photo blog, and although I can’t remember it exactly, one of the comments left by a site visitor said words to the effect of “Lovely sunset, shame about the wires ruining it though.”

I couldn’t help but laugh. One man’s defining feature in a photograph can be another man’s distraction. And I quite like that.

Oddly enough, my mother was quick to jump in to the comments and defend the presence of the wires, saying she felt that they made the image. That must be where I get it from…

Incidentally, I’d show you the image I mean, but my Flickr account is currently in a somewhat dormant state as my subscription fees have expired for the first time in six years. This means my 12,000-odd photographs are ‘hidden’, with only the latest 200 showing. I will get around to renewing it when I can though, of course.

Donations welcome…!

New web project – a beginner’s guide to the Zenit E

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I made a thing. For the second of our Applied Web Design and Management coursework submissions, we were tasked with creating a small website.

It had to contain a 6-step tutorial for a task of our choosing, and had to incorporate appropriate navigation and layout, along with original images and text. It also obviously had to validate and be accessible.

Finally, the whole project had to be created as a Dreamweaver template file.

I chose to create a tutorial for new users of a Zenit E SLR camera.

From the very start I wanted to have an instruction manual feel to the pages, along with a filmstrip for navigation. The rest of the pages are more traditional layout elements.

I don’t really call myself a web designer, despite doing all of these types of things for years. But I’m pretty happy with the results.

I spent an awful lot of time on it, which I don’t regret one bit. Like other skills and creative pursuits, web design is one of those things where you can spend hours tweaking something which will never be noticed, and where, from the outside, the results can look deceptively simplistic.

All the same, I like my little project, and it’s been a rare example of a piece of university coursework I’ve loved working on. I know several improvements that could be made – most of which would require starting over completely. Such retrospect can be applied to future work.

To view the project, either click the screenshot above, or this link.