Shooting film with the Minolta Hi-Matic 7s

A few years ago, when hunting high and low for a specific camera, I picked up a Minolta Hi-Matic 7s.

Here it is:

It wasn’t the Ansco Autoset I was looking for – that’s a long story for another day, but this is in fact a slightly later evolution of that camera, and much more user friendly.

It’s a lovely 35mm film camera produced in Japan in 1966, with a few really nice features. It’s not the most attractive camera, though it isn’t unattractive, and it’s a touch on the heavy/boxy side. But as someone who has shot several films with a Zenit E, this is a wee bit lighter.

While clearing out my storage locker recently I came across the little Minolta, all tucked away in its hard-wearing leather case. Strange, I thought, as I got rid of most of my film cameras a few years ago. But I couldn’t resist taking it out for a spin last weekend. It already had film in, with 3-4 shots taken, so I took it along for a day-trip to St Albans.

 

One thing that’s great on this camera is the battery-powered light metering which actually enables it to be run fully automatic – save for focusing. I ran fully automatic for all these shots. Luckily, the focus system is quite nice, too. Rather than the split-circle style found in some cameras, this one uses a small smudgy area in the middle of the viewfinder, through which one sees two images. Align the two overlayed bits of the image (ideally on an edge, or some other contrasting feature), and that is what will be in focus.

It turned out really well – a mixture of shots indoors and out, from the glaring sunshine of that sunny bank holiday we had, to the dark crevices of a thousand-year-old cathedral. Another neat feature is how quiet the shutter is. I’m more used to the hefty CLUNK of an SLR, and this is more of a quick click.

The below were taken on bog-standard Pound shop Kodak 200 film (most likely approximately six years old, too). I’ll be picking up some new film for the Minolta, as I really enjoyed using it.

Bambi (1942) / Pinocchio (1940)

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“Man is in the forest…”

Over the festive period, M and I watched Bambi and Pinocchio. Have you ever seen those films? Jesus, they’re brutal.

Forgive me if this is common knowledge to all sentient beings other than me, but I was not expecting such darkness on a cosy winter’s morning.

I’d picked up Bambi as it went hand-in-hand with another gift for M of cute Bambi-brand pyjamas. There’s Bambi, all cute with a butterfly on his nose. But God, nothing had prepared me for the onslaught of terror and crushingly dark imagery that Bambi contains. I think I’d remembered that Bambi had a weirdly dark twist, but I didn’t actually know the nature of it until the other day.

And Pinocchio! That cute fairy tale about a wooden boy coming to life? Who remembered the bit where he’s carted off to a grotesque funfair full of naughty boys smoking cigars and shooting pool before being turned into donkeys? I had no idea Spirited Away had taken such inspiration from this film. Admittedly, I found the images of little boys smoking hilarious, but also completely at odds with what I’d expected from these classic, early Disney films.

We were both so shaken from these viewings – the gunshots from Bambi still ring in my ears – that we watched Silver Linings Playbook to cheer ourselves up afterwards.