George Clarke’s National Trust Unlocked is a recent Channel 4 series that saw Clarke (and occasionally his dog) take advantage of the country’s state of lockdown by visiting an array of National Trust properties while they were closed to the public.
Clarke’s a very likeable host – he has somehow wormed his way into my TV viewing via various vaguely architecture-related shows, and his north-east lilt and passion for almost everything he sees or sets foot in is infectious and makes for very pleasant, easy viewing.
This series – which would ordinarily be of quite some interest to me on its own – was brought to my attention thanks to a Google Alert I have set up for mentions of Charles Paget Wade.
I wrote a book on Wade, see, and it’s fun to learn when that book gets mentioned (rarely; usually just bot-led ebook piracy websites) or just Wade in general (of late, mainly his family’s connection to the slave trade).
In reality, Wade doesn’t come up very often. He’s occasionally mentioned in guides to days out in Gloucestershire, or perhaps as the holder of a unique collection of this or that. But it was interesting to see a Daily Mail piece on Wade and his house Snowshill Manor that he spent thirty years filling with stuff.
And why was the Mail talking about Wade? The episode of National Trust Unlocked that aired the previous night had featured Snowshill and its one-time owner.
Wade lived in London from 1906 to about 1919, during which time he worked under Parker and Unwin as an architect and illustrator supporting the new Hampstead Garden Suburb development. When he had done all he was really able to under that umbrella (as well as becoming obscenely rich following the death of his father), he branched out into more illustration projects until the First World War interrupted things. Towards the end of the War he spotted an advert for Snowshill in Country Life magazine and vowed to buy it if it should still be available on his return from the front.
It was, and he did.
He then spent the next few years restoring the buildings, and having the gardens laid out by M.H. Baillie Scott, before moving his already-vast collection of crafts, furniture and…stuff… into the house, and then opening the place up to visitors. Visitors who, as the TV show explains, Wade would lead around the shadowy corners of the house, before nipping into literal secret passages where he would don a theatrical outfit and re-appear somewhere else, making his guests feel even more certain that Snowshill was inhabited by ghosts.
It was really nice seeing the curator at Snowshill tell Clarke about Wade and his collection. It felt somewhat eerie watching someone else talk about something I have decided to become a sort of small-time expert on. Of course the Snowshill staff and curators are Wade experts, but I haven’t been to Snowshill for nearly a decade, and I don’t often find myself in conversations where I’m not the one who happens to know the most about Wade. It’s not that I’m possessive over him – I literally wrote a book about the man in hopes I can tell the world about this fascinating character! – but it’s always a funny feeling when you hear about something close to your heart discussed on TV or in a book.
Anyway, I can thoroughly recommend this episode of National Trust Unlocked, and the whole series seems to just be extremely nice viewing. It’s George Clarke poking around deserted National Trust properties, being delighted at absolutely everything he finds. It’s like a lovely warm, comforting blanket.